Multi-camera livestreaming production for corporate events, conferences, product launches and hybrid broadcasts. Broadcast-quality output, managed end-to-end - because a bad livestream is worse than no livestream.
Every other creative service has a safety net. Video gets edited. Photography gets retouched. Copy gets revised. A livestream gets one take, a live audience, and whatever happens on the day.
That changes the nature of the production entirely. Pre-production is more critical. Technical rehearsals are non-negotiable. Contingency planning is part of the brief, not an afterthought. And the person operating the production needs to have done it before — under pressure, with something at stake.
Bentley Studios brings the same commercial directorial approach to livestreaming that we bring to every production. The difference is that we also bring a healthy respect for Murphy's Law.
It is worth mentioning the value of repurposed livestream footage, but the criticality of getting it right the first - and only time - cannot be understated. You cannot easily repurpose poor original material, if at all. As they say, you can’t polish a t*rd.
of viewers say video quality affects their trust in a brand
of audiences prefer watching live video to reading a blog
Every livestream. No second chances.
Sources: Livestream/New York Magazine, Vimeo. Third stat is ours."
The production scales to the brief. The standard doesn't.
AGMs, town halls, conference keynotes, panel discussions and internal communications events - streamed to remote audiences with the production quality that your speakers and your brand deserve.
A badly produced corporate livestream reflects on the organisation hosting it. A well-produced one extends your event's reach without diluting its impact.
A product launch livestream is a marketing event, not just a broadcast. It needs actively directing - not just passively operating. Camera angles, timing, presenter coaching, graphic reveals, and audience engagement mechanics all shape the commercial impact of what gets streamed.
Twenty years of commercial directorial experience applied to live brand communications. However important, the camera is just about the last thing we think about.
In-room and remote audiences simultaneously - managed so neither feels like an afterthought. Hybrid events are the most technically complex livestream format and the most commonly under-produced.
Remote attendees need more than a wide shot of the room. They need their own director - someone cutting between cameras, managing Q&A feeds, handling technical issues and keeping the remote experience coherent while the room runs its own programme.
Livestreaming production scales to the event. Here's what each level looks like in practice.
For webinars, internal comms and smaller events up to 100 attendees.
For conferences, panel events and product launches up to 500 attendees
For large-scale hybrid events, external broadcasts and high-profile productions
Not sure which level fits your event? That's what the discovery call is for. Describe the event and we'll recommend the right setup — honestly, not ambitiously
We stream to wherever your audience is — public platforms, private portals or both simultaneously.










Most livestream failures are pre-production failures. Here is how we prevent them."
A site visit or detailed venue assessment before the event. Power supply, network infrastructure, room acoustics, sightlines, camera positions and contingency options all mapped before event day. No surprises.
The event programme reviewed in detail — timing, speaker order, AV cues, slide transitions, Q&A format and anything else that affects the production. Every cue planned, every transition rehearsed on paper before it's rehearsed on site.
A full technical run-through at the venue before the audience arrives. Every camera position checked, every audio input tested, every graphics cue fired. Stream tested to the destination platform. This is non-negotiable regardless of production level.
Every Bentley Studios livestream has a documented contingency plan. Backup internet connection, backup encoding hardware, backup audio feeds. The plan for when something goes wrong is agreed before anything goes wrong.
A livestream is over the moment it ends. The recording rarely captures what made the production technically impressive — the switching decisions, the audio management, the contingency call made in real time that the audience never knew about.
Our livestreaming portfolio is building. What we can tell you is the events we've produced, the platforms we've streamed to and the production challenges we've solved — in a confidential conversation before any commitment is made."
YouTube · LinkedIn · Vimeo · Facebook · Private portals
Corporate conferences · Product launches · Hybrid events · Town halls · Award ceremonies
Client references available on request prior to commission
Every Bentley Studios video production can be extended into a complete content package - stills, drone footage, podcast, social clips and distribution - under one brief, one point of contact, one consistent visual language.
A stable, wired ethernet connection with a minimum upload speed of 10Mbps for standard production and 25Mbps+ for multi-camera broadcast-quality streams. We assess the venue's network infrastructure during the technical recce and bring a 4G/5G bonded cellular backup for every event — so a venue's internet going down does not bring the stream down with it.
Yes. Simultaneous multi-platform streaming to YouTube, LinkedIn, Facebook, Vimeo and any custom RTMP destination is available at all production levels. Each platform receives an optimised stream. Platform setup and stream key management is handled by Bentley Studios — your team just needs to provide account access in advance."
Every Bentley Studios livestream has a documented contingency plan covering the most common failure scenarios — internet drop, hardware failure, audio failure, presenter no-show. Backup encoding hardware, backup internet via 4G/5G bonding and backup audio feeds are standard on all productions above Streamlined level. The contingency plan is shared with the client before the event.
Yes. A master recording of the full livestream is delivered as standard within 3-5 days of the event. Edited highlights, session clips and social cut-downs are available as add-on services - or as part of a combined production brief that includes post-production alongside the live event. These can be provided more quickly, and sometimes while the event is still live.
For a Streamlined single-camera production, 2–3 weeks’ notice is usually sufficient. For Full Production and Broadcast level events, 6-8 weeks minimum is recommended to allow for technical recce, run-of-show review and full technical rehearsal. For large-scale hybrid events with complex infrastructure, 8–12 weeks is preferable. If your event is sooner than these windows, get in touch anyway — we will tell you honestly whether it is achievable.
Yes. On-camera presenter coaching is available as part of the pre-event production process — covering delivery, eye-line, energy levels and how to handle the technical environment of a live broadcast without it showing. Most presenters who are confident in a room are less confident when a camera is added. A 30-minute briefing before the technical rehearsal makes a measurable difference to the final broadcast, but specialist one-to-one training is available where needed, in the use of teleprompters, for example.